50 BPM Metronome

Press play and the click starts at exactly 50 BPM. Time signature, accents, subdivision and tone are all still yours to change.

Metronome and tap tempo tool

120 BPM

Click any beat to cycle it through strong, weak and muted.

Volume
80%

Shortcuts — Space start/stop (taps on the Tap BPM panel) · 1 BPM · Shift+ 5 BPM · T tap tempo

How fast is 50 BPM?

Slow tempos are a microscope. The attack, the decay, and the join to the next note are all exposed, which makes this the best place to work on phrasing rather than notes.

50 BPM means 50 beats pass every minute. One beat lasts 1200 milliseconds (1.2 seconds); counted in 4/4 a bar takes 4.8 seconds, so about 12.5 bars go by each minute. Over a three-minute song that is roughly 38 bars, or 150 beats.

A resting pulse sits around 60–80 beats per minute, so 50 BPM is slower than a heartbeat.

Note lengths at 50 BPM

Here is what each note value actually measures at 50 BPM. It is the table to check before subdivision practice, and the one producers reach for when setting time-based effects.

Note lengths at 50 BPM
Note valueLengthPer minute
Whole note (4 beats)4800 ms12.5
Half note (2 beats)2400 ms25
Quarter note (1 beat)1200 ms50
Dotted eighth note900 ms66.7
Eighth-note triplet400 ms150
Eighth note600 ms100
Sixteenth note300 ms200

How to practise at 50 BPM

If this tempo is still out of reach, climb to it in three steps. Start at 40 BPM (70% of target) where you can watch what your hands are doing, move to 43 BPM (85%) to balance the sound, then go to 50 BPM. Only move up when you have played the passage five times in a row without a mistake. If the tempo is already comfortable, push to 55 BPM for a few passes and drop back — 50 BPM will feel roomy afterwards.

Use the subdivision control here. Splitting each beat into two or four fills the silence, and notes that were floating between beats snap into place. Once it is stable, switch subdivision off and play the same passage again — the grid disappearing is the actual test.

Music that sits at 50 BPM

Few popular songs stay down here for their whole length, but intros and bridges dip into this range constantly, and it is a standard speed for slow movements in classical repertoire.

  • Ballad and film-score introductions
  • Ambient and drone, where pulse is deliberately vague
  • Funeral marches and slow requiem movements
  • Slow blues and gospel ballads
  • Breathing and meditation tracks

Frequently asked questions

How long is one beat at 50 BPM?

One beat lasts 1200 milliseconds, or 1.2 seconds. A bar of 4/4 takes 4.8 seconds, an eighth note is 600 ms and a sixteenth note is 300 ms.

What tempo marking is 50 BPM?

The 40–59 BPM range is usually labelled Largo. Those boundaries were never fixed — different eras and composers used the terms differently — so treat the name as a description of character and the number as the measurement.

What if 50 BPM feels too fast?

Slowing down is not losing ground; it is buying accuracy. Work up from 40 BPM through 43 BPM to 50 BPM. Anything you repeat at a tempo where you make mistakes gets learned along with the mistakes, so the fastest tempo you can play cleanly is the tempo worth practising at.

How do I get a finer grid than 50 BPM?

Turn subdivision on at eighth notes and you hear the same grid as a 100 BPM click. The filled-in beat shows you which slot each note belongs to; once it is secure, switch subdivision off and let 50 BPM carry it again.